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Liverpool
27th Oct. 1855.
My Dear Father,
It is now only a week since you went away & consequently you may be
sure that we I have not a very great deal to say. In the first
place for I know you wish to hear how we all are firstly I am very
sorry to say that mother is not very well, having caught a severe cold
on Thursday while going to the grocers & she will have to lie up
for a day or two, when I have no doubt she will have quite
recovered. As for the rest of us we are all in prime condition,
as I hope this letter will find you.
After leaving you we got on board a steamtug & it took poor Parry
& myself some time to get round in fact Parry did not recover until
he got on terra firma. William stood it manfully, not having been sick
only very very squeamish all the time.
I am afraid that your position did not improve after we left you, as we
heard from Leopold that the steamer was obliged to leave about an hour
& a half after us leaving the friends of the Coopers on
board. What a fit they would be in. I don't know when they
got home but Leopold said you put them on board a schooner off Holyhead
at 8 o'clock on Monday morning. I am not at all sorry that we
left when we did for we should have been sick all the time.
We shall be waiting anxiously for a letter to know how you got on after
leaving Holyhead. It has been very stormy here almost all the
week.
Mother told me to say that you had forgotten the flat irons which she
did not find out for two or three days after you were gone. I
hope you have another set.
We send this letter & also a lot of newspapers by the Sarah Horne
(Captain Thompson) which sails at 12 today. The Elizabeth
(Captain Todd) will be going in about a week when we will write again.
There has been no particular war news lately except as you will see by
the paper that the allies have taken Kinburn at the mouth of the
Dneiper & that Ochakoff has capitulated. There seemed to be
great preparations for something or other & Mr Purdie tells us they
have an order for 10 gun boats & a mortar battery & another
firm, Richardson I think, has an order for 100 gun boats, & whether
they fight or not they seem to be spending plenty of money in
preparations.
In a month on Monday next, I shall have completed my 7 years when I
suppose I shall have to make fresh arrangements with the "powers that
be." It is not the pleasantest thing to do, but I have no doubt I
shall be able to manage pretty well.
Grandmother, Aunt, James & Ann are all quite well but do not know I
am writing so there are no messages from them. James was at
French last night but I forgot to tell him.
Mother was at James's on Thursday & does not think Baby is so well, she thinks she has gone thinner already.
You must please excuse this letter of nothing
as you know a week does not afford much scope for anything new.
Please do not forget the little curiosities if any come in your way.
Hoping that you have had a good passage & beaten the Garland which
was not far ahead, she being off Tusker when you were off
Holyhead. With joining to the love of mother & all the others
that of your affectionate son
Capt Goffey
Thos Goffey
The Sacrificial Egg, from Girls at War, Chinua Achebe.
"Some of the beautiful young women you see squeezing through the
crowds [at Umuru Market] are not people like you or me but mammy-wota
who have their town in the depths of the river, " she said. "You can
always tell them, because they are beautiful with a beauty that is too
perfect and too cold. You catch a glimpse of them with the tail of your
eye, then you blink and look properly, but she has already vanished in
the crowd."
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Captain James's blotting paper from the Tapley. It was his final voyage. He died on the voyage and was buried on Snake Island in the Calabar River. His possessions, sold at auction to the rest of the crew, and
listed right, raised £36 /15s/9d.
James's
death was, according to the ship's surgeon, "the result of
long continued intemperance." Family loyalty, however, obliges me to
point out that ship's surgeons were not always overburdened with
qualifications at this time, nor did they have any particular reputation
for sobriety.
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"
... most seamen lead, if one may so express it, a sedentary life.
Their minds are of the stay-at-home order, and their home is always
with them - the ship; and so is their country - the sea."
Joseph Conrad, Heart of Darkness.
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1 Table Cloth 1 Pilot Cloth Vest 9 Singlets 4 Flannel Drawers 2 " Shirts 4 Jackets (2 White) 2 Vests 17 Prs Worsted Stockings (7) & Socks (10) 15 Prs Linen Trousers 1 " Drill Trousers 5 " Cloth " 2 " Duck " 2 Linen Blouses 2 Cloth Coat 1 Black Alpaca Coat 1 Brown Alpaca Coat 4 Prs Blankets 1 Counterpane 4 Vests 4 Pillow Cases 7 Prs Braces 2 Comforters 1 Hair Mattress & Pillow 24 Shirts 3 Black Silk Handkerchiefs 11 Cotton Packet " 7 Towels 3 Clothes Bags 1 Trunk 4 Old Hats + One Black Hat & 2 Rain Hats 1 Blue Cloth Top Coat 1 Black Frock " 3 Monkey Jacket 6 Prs Boots 3 Pr New Shoes 2 Prs Cavalry Slippers 3 Shoes Brushes 4 Bars of Soap 2 Palms A Quantity of Fish Hooks & Sail Needles A Bag Containing a Quantity of Needles. Thread Buttons & Sail Needles
Journal of a Voyage to
Bonny River, R.M.
Jackson [a ship's surgeon from Birkenhead, on his first voyage to Africa]
Bonny River 1st Feb. 1826
My dear H.
Three weeks residence here, have not tended much to give me a more favourable idea of Bonny.
Our
ship is moored, & appropriately fitted out for the Season of her
stay in this river. She has a house over her, built of sticks and mats
to protect us from the heat of the Sun, & the Men & Officers
have so little intercourse with the other vessels in the Harbour (which
are similarly situated) that she may very properly be styled a floating
Prison.
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2 Razors - Sharp - Shaving Box & Brush Small Tooth Comb Hair Brush & Comb 1 Sea Chest Brace of Pistols 1 Raincoat & Pair of W-Proof Leggings 1 Sextant 1 Quadrant Charts N. Atlantic W. Coast Africa Sth Geo Channel 2 Coast Charts English Channel Canaries & Azores N Atlantic Lighthouse/and Another Parallel Ruler & Pair of Compasses NORIES EPITOME & THOMPSONS TABLES Ships Masters Assistant Channel Sailing Directories LAW OF STORMS CHRONOMETER GUIDE Lee's Manual & Another Walker's Dictionary & Chamber's journal
£36 /15s/9d.
I don't actually know whether J & W Goffey did the grain run, but I do know that one of their ship's - the Austrasia - did, at least it did after they had sold it. In fact she was on a grain run (renamed the Melbourne
and flying a Finnish flag) when she collided with an oil tanker and
sank in about three minutes 25 miles off Fastnet in July, 1932.
In
the 1901 Report from the Select Committee on Steamship Subsidies (I
read it so you don't have to) Colonel Goffey provides an insight into
the firm's day to day business:
"2865.
What sort of material goes by sailing vessel rather than by steamer,
say round the Cape of Good hope to Australia. I want to know what the
sailing vessel trade consists of largely which is not taken by
steamers?-
Salt, coal, bricks, iron of all sorts, earthenware
and common cheap articles. The fine goods principally go by steamers.
It is a very general trade. I cannot enumerate all the articles, but
the rough, common, and cheap goods go by sailing vessels." Links
Goffey Bibliography
Arthur Conan Doyle The Captain of the "Pole Star"
and Other Tales at Electronic Text Center, University of Virginia Library
Memories and Adventures (Google Book Search)
Julian Treuherz on Herkomer's 'The Last Muster' (mp3/transcript/links). (National Museums Liverpool)
Bushey Museum
Alice Oswald: Dart at Poetry Society.org
London Metropolitan Archives LMA H.M. Prison Wandsworth ACC/3444
"The Case of Warder Martin: Some Cruelties of Prison Life" (Transcript of Oscar Wilde's letter to The Daily Chronicle newspaper after his release from Reading prison in 1897 at National Archives Learning Curve)
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Martha Bagshaw (pseud.), Namby pamby,
or, A hotch potch of poetic tit-bits;
Liverpool : William Gilling, 1875.
IN MEMORIAM OF MRS. G.
[Widow of Capt. James]
Aged 66. Died, March 12, 1870.
In vain they gaze on the vacant chair,
Her rev’rend form is no longer there,
Those scanty tresses of silver grey,
Which marked the flight of each year away,
Those eyes late bright with affections glow,
Are now in the silent tomb laid low,
And sorrowing friends, with a saddened mien,
Think of her now as a friend that’s been.
[And so on. If you really must, you can read the rest here.] |
GEORGE, William, My Brother and I.
[The lives of the author and his brother, David Lloyd George. With
portraits.] (pp. viii. 323. Eyre & Spottiswoode: London, 1958.)
P53-54
SCHOOL DAYS
In an earlier chapter I mentioned the great friendship which had
existed between my father and a Liverpool lawyer, Mr Thomas Goffey. His
name was a much revered one in our house. What precisely Mr Goffey had
done to kindle such feelings of gratitude we were never told, but my
brother and I felt it must have been something very great to justify
the reverence in which he was held, and to deserve the Christmas turkey
sent him every year. And what a business this annual offering entailed!
In the first place, Mr Goffey's turkey had to be of the very best and
full enquiry had to be made round the neighbouring farms beforehand in
order to get satisfaction on this point. A satisfactory choice was
finally made and the precious prize bird duly delivered at 'Highgate'
at the appointed time; then came the packing and despatch, followed in
due course by a warm letter of thanks from Mr Goffey. None of us
children ever met him, although we were on one occasion told that Mr
Goffey might be calling round to pay us a visit. We were dressed up for
the occasion and loitered about uneasily to see him drive up in his
carriage and pair, but he never turned up nor do I remember hearing why
not. Even so, Mr Goffey remained on his pedestal just the same and this
little disappointment did not shake our belief that a person who could
evoke such feelings as he did must be a very good man indeed.
Incidentally, we also gathered that he was earning £300 a year,
which we regarded in those days as a very substantial income, and
additionally that he was paid 3s 6d for every professional letter he
wrote. We all agreed that a career producing such fine results was the
very one for Dafydd.
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Harry Goffey, by Oliver Pemsel. (Detail)
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Dictionary of British Artists 1880-1940
GOFFEY, Harry; oil and watercolour
portrait and landscape painter, etcher,
mezzotint artist; formerly sec. Bushey
School of Painting; b Liverpool, 31 May
1871; s of Alfred Goffey. Wholesale
Grocer; m Elinor Semple; six s one d.
Educ Liverpool Inst., Merchant Taylors’
School. Studied art Liverpool School of
Art, Herkomer’s, Chelsea Polytechnic.
Exhbd at R.A., Liverpool, Manchester.
Work published etchings and colour
mezzotints (Alfred Bell and J. F. E.
Grundy). Principal works A Lady With
Chrysanthemums (oil), Pinkie, Warren
Hastings (Lawrence), Laughing Cavalier
(Hals), (mezzotints). Recreations read-
ing, walking, change of work. Address
95 Cross Oak Rd, Berkhamstead, Herts.
Signs work "H, Goffey"’ (written for
engravings, block letters for paintings). |

The Studio, February, 1912


Elinor Goffey, by Oliver Pemsel. (Detail) |
Extract
from statement by Geo. Harcourt submitted to Parlt. in 1897 in protest
against the proposed Watf. Edgware and Lond. Railway. [Quoted in The Herkomer Art School 1883-1900, Grant Longman.]
1897 was the year Jock was born (pictured below, bottom right) at 7 Rudolph Terrace on a site now occupied by Bushey Museum.
“… The Herkomer School for Artists is the only school of the
description in the United Kingdom. There are of course numerous schools
of Art in London & various provincial towns but this is the only
school of importance established in a rural district. From an Artist’s
point of view Bushey is peculiarly attractive. The school of course is
the principal feature but, apart from this the rural character of the
District, the uninterrupted landscape, the quiet & other
surrounding charms of the country are everything that can be desired.
It is owing to these advantages that the well known artistic colony has
sprung up in Bushey during the last few years.
Bushey is now for
the most part populated by Artists or Art Students, not only are they
householders to a considerable extent but they are distributed all over
the village & neighbourhood wherein lodgings are to be found, &
it is estimated that nearly 200 people are permanently engaged in this
profession in & around Bushey.
This number is considerably
increased in the summer months by Artists & Students coming to the
school for the Summer Term of instruction.
The advantages for
sketching provided by the surrounding country causes them to settle in
the village where they take rooms and remain, even after the course of
instruction, often for months pursuing their work, & there is not
the slightest doubt that the shopkeepers & tradespeople & small
householders generally in Bushey are mainly dependent upon the Artists
for their livelihood …”
Extract from letter from Mary Pemsel (nee Goffey) in Bushey Museum archive .
Harrogate Jan. 9. '77 Dear Mr White I
was most interested to receive your letter which sparked off a whole
train of nostalgic reminiscences of early childhood, spent in and
around the studios used by Herkomer's pupils and followers. My mother
(nee Semple) was also a student and the godmothers of most of our large
family seemed to be drawn from the ranks of student friends.
1903 Quadrant from Motor Cycles and How to Manage Them, [Leon's Vintage Motorcycle Page] where you will also find a description of the Quadrant from The Automobile Club Journal, 1903."For
speed on the level he has "never yet dared to let it go for all it was
worth." He can, however, always when he desires it, average 25 miles an
hour over a good hilly road. " | Bushey, 2003
I’ll
spare you the complete diary entry for 15 October 2003. But it was
apparently a “quietly inspirational afternoon of travel card
tourism.” I noted that it took 17 minutes to get to Bushey from Euston
(no thanks to the art school who campaigned vociferously against
railway expansion at the end of the nineteenth century). I also noted
that it wasn't technically travel card tourism as it had cost me
£3.20 to get to Bushey Station from the outskirts of Zone 6 and that we
were overtaken by a Virgin train called - ominously - Mission Impossible.
I
had come in search of Harry's studio and for some clue as to why he had
swapped Liverpool for London's north western hinterland and the
majestic Mersey for an unpredictable Chiltern chalk stream, once
rumoured to have harboured a trout, but now with barely enough current
to feed a watercress bed. (I'm jumping ahead here, to Berkhamsted,
where, after vacillating between Bushey and Liverpool, the family
finally settled in 1910; though Harry continued to commute to his
studio in Bushey on a 1903 Quadrant motorcycle.)
But even before
I reached Bushey high street I had begun to find the answer to my
question. My walk, from Merry Lundow's excellent Shire book Discovering Country Walks in North London,
took me through St. James’s church yard before emerging in the
high street next to something not at all unlike a village pond.
In
the church yard I came across a quietly imposing tomb. A brass plaque
had leached turquoise in to the surrounding stone which was decorated
with carved classical pillars above steps covered in lichen and moss,
like blobs of powdery colour on an artist's palette. It was the last
earthly resting place of Hubert Herkomer, Painter and Teacher, his
second wife, Lulu and his father, Lorenz, Wood Carver.
I would later find out that the churchyard is fairly stuffed with artists. Opposite
the lich-gate on the other side of the high street I noticed a
blue plaque commemorating another artist, Lucy Kemp-Welch, who's name I
recognized from my grandfather's memoir. I still, of course, had no
idea where Harry’s studio might be, but I was beginning to get a feel
for the place that had drawn my great grandparents south in the
last decade of the nineteenth century.
As soon as I got home, I
searched the web. Why not search it before and save myself a travelcard
(and £3.20) you may ask? The truth of the matter is you can't beat good
old fashioned detective work. That usually involves pavements. I like
to sniff a place out, follow my nose, climb some contours: the last
being not something easily avoided in Bushey. Its long high street
gains 100m in altitude over the 4km trudge from the River Colne
to Bushey Heath, the highest point in Middlesex.
Anyway, you
can't intuit at a desk. Daydreams are constricted. You have the world's
knowledge at your fingertips, you can study digital copies of
every painting in the major galleries - and many that don't even have
wall space. You can get software to read you this and that biography
whilst you groom the dog or pick fluff out of your navel. You can study
the street plan from space; view the topography in 3d, print out census
returns for every single house over five decades, but it wouldn't teach
you as much as a momentary glance from the top deck of the 142 as
it descends from the clouds with the valley flood plane spread in the
distance like an inland sea viewed from a chalk cliff.
As soon
as I found the Bushey Museum web page, the penny dropped. My great
grandfather was not alone. He was part of a community of artists
who thrived in and around Bushey at the turn of the twentieth century.
In fact, Bushey had been an artist magnet even before a charismatic
and talented Bavarian-born artist arrived on the scene in the 1880s and
set about spreading the name of an unassuming Hertfordshire
village, strange as it may seem today, right around the world.
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Notes from The Bracket Clock, Dennis Goffey"Father
had a studio down a hollow sounding passage from Clay Hill -- a
delightful place with a lot of work in clay, a lay figure, easels, huge
paintings, charcoal and pastel drawings and a smell of poppy oil and
turpentine (which was real in those days)."
* "Father's
artwork never appealed to me as a child, except that I liked the smell,
but it was often hung in the Royal Academy, where its serious merits
were appreciated. His real gift was for watercolour, which never
sold. He was quick, with a marvelous eye for colour and a vigorous,
first time technique. I was often with him when he went out sketching
... In 1913 he took me on a four-day excursion to Bruges, to visit the
Great Ghent Exhibition, which included work by all the foremost modern
artists. He admired Monet and Seurat, but expressed contempt for
Futurists. His favourite painters were Turner, Constable and Corot and
he had a weakness for Whistler."
* "In
1915, father took an office job in London for the duration of the war
... [After the war] Uncle Alfie [Alfred Goffey] came south and helped father start a
copperplate printing business. The dining room was taken up by a
press, tables, and a large polished stone for grinding inks."
 First press c.1922 |
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James & Caroline Shepherd
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James
Shepherd's Metropolitan Police pension record is perhaps not especially
interesting. Much of the information can be gleaned elsewhere. But it
does add colour, and indeed scale, to our b&w photo. On his
retirement from the police on 30 November 1908 he was 54 years old and
had served as a Constable in V Corps, Wandsworth Division, for twenty
five years with unblemished record.
He stood 5 ft 9 inches tall, had "dark brown by grey" hair, hazel eyes and a fresh complexion.
He
had joined the police at Great Scotland Yard on 26 November 1888. In
December that year the new police station at the bottom of West Hill
opened. James was one of its original occupants, although I doubt he
spent very much time in doors. This was the olden days, remember? He'll
have been out catching wronguns, cuffing young offenders round the
ear, and bawling out cab drivers taking the hill too fast.
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William Bartlett
hammock, from the Carib hamorca,
a type of native bed, and the bed of the naval seaman for hundreds of
years, but not any longer, as the modern seaman sleeps in a bunk. The
hammock was invented, it is said, by Alcibiades, but its introduction
in ships dates from the time of Christopher
Columbus who noted
that the natives of the Carib islands used them slung between trees.
The maritime version is made of canvas with a row of small eyelet holes
at each end through which are rove nettles which spread from a ring.
When used
on board, hammocks were slung from hooks in the deck
beams. When not in use they were lashed up, with the
blankets inside them, by nine turns of a rope. In the days of
sailing warships, hammock nettings, protected by quarter-cloths, were
placed along the sides of the upper deck and along the break of
the
poop so that the hammocks in them could act as a protection from musket
fire from an enemy ship during battle. They were also stowed like this
so that they would float free in the event of being sunk in battle, as
a properly lashed hammock
could support the weight of a man in the water for a considerable time.
"hammock" The Oxford Companion to Ships and the Sea. Ed. I. C. B. Dear and Peter Kemp.
Oxford University Press, 2007.Oxford Reference Online.
Oxford University Press. Camden Libraries. 12 February 2009 <http://www.oxfordreference.com/views
/ENTRY.html?subview=Main&entry=t225.e1203>
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Alice Oswald, Dart. [Excerpt]
"all the way from Iceland, from the Faroes, a three-sea-winter fish coming up on the spate, on the full moon, when the river spreads out a thousand feet between Holne and Dartmeet and he climbs it, up the trickiest line, maybe maybe down-flowing water has an upcurrent nobody knows"
Whilst
I’d picked up a few facts about William Bartlett, I still had nothing
resembling a narrative. I had found out that he had been orphaned
before the age of thirteen and sent to work as a farm
servant leaving his younger siblings in the Union Workhouse at
Newton Abbot. I’d also been able to piece together some dates for his
career as a prison warder at Wandsworth: 1882 to 1920 (a
double-life sentence). But he doggedly refused to present himself to me
as anything other than a most spectral presence.
Somehow,
between Alice Oswald’s poem, “Dart” and Andrew Motion’s “Fresh Water,”
which he wrote for a friend who drowned when the Marchioness
sank, I could only really visualize my great grandfather as a kind of
spectral salmon, swimming from the Wandle via the estuarine Thames,
passing Beachy Head lighthouse at dawn, resting at Portland Bill (he
had married a Purbeck girl from a quarrying family…or to be more
precise two of them: sisters, though he wasn't a bigamist) and finally
ascending the Dart on the full moon, November 1920: a wiry
sixty-two-winter fish and the river in full spate.
He had
witnessed the incarceration of Oscar Wilde, the execution of a
German spy, and the imprisonment of conscientious objectors, to name
just the most lurid events that occurred at HMP Wandsworth during his
long career. But nothing seemed to tell his story. Or to be strictly
accurate, nothing made me want to tell his story. That is until I came across Colvin.
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"Confidential Letter Book" For Governor’s use only
Wandsworth
18th Dec [19]16
Principal Warder
Michael Brown
- not
discovering when in charge of B. Hall that convict 1064 Wm Watson had a
cap and jacket made from Admiralty Hammock material in his
possession contrary to regulations.
On the morning of
Sunday, the 17th instant, at 6:30 am a prisoner in the cell adjoining
that of Convict Watson rang his bell and reported to the night patrol
that there was something wrong in the cell next to him. It was there
found that Watson was wedged in a hole that he had made in his cell
wall, so that he could move neither backward nor forward. His legs were
suspended outside and after a little while he was extricated.
The
prisoner had made a cap and jacket from material issued to him for
Admiralty Hammocks, and broken up his bed board and had thrown them
all. It seems that he intended to lash the pieces of bed board together
after getting out of his cell [and using] them to assist him getting
over the boundary wall. It is hardly likely that his escape would have
been so effected.
The only tools in his cell were a pair of scissors and a marlin spike which are necessary in the making of Admiralty Hammocks.
I enclose statements from other officers concerned.
In
view of the difficulty of ascertaining when the articles were made I am
unable to bring home to this officer the charge of neglect. It will be
seen he went off duty at 12:15 pm on Saturday, the 16th instant, and I
cannot ascertain when the articles were made.
Prin_Wdr_Brown's general character is good and I have found him trustworthy and efficient in the performance of his duties.
Captain P. Green
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P.Y. Betts People Who Say Goodbye Memories of Childhood pp. 26-27 Souvenir Press, 1989
"The domain
of crime was the prison which, with its ancillary buildings, was as big
as a village, whole streets of warders' houses and big houses with
gardens for the Governor, chaplain, doctor. There was a cordon
sanitaire of open ground around it, leased off to
bowls and tennis clubs. Opposite our house was a rough field with a
footpath leading away into the prison hinterland, whence sallied forth
at times a hooligan family of red-haired boys, warders' children, to
terrorise clean little prep school boys in their grey flannels.
Neighbours tut-tutted about these boys, who seemed ripe for
imprisonment themselves. Occasionally an active prep school father
would catch and beat one of the redheads, as could be lightly
undertaken in those days without fear of a suit for assault. Bad boys
were not easy to catch, but once taught, they could be beaten-that was
the way of it then."
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"Confidential Letter Book" For Governor’s use only
Wandsworth
18th Dec [19]16
[Warder] Grade 1
Wm Bartlett
not discovering that a convict had a cap and jacket in his posession contrary to regulations
as explained in the letter forwarding report against Prin Wdr Brown, a convict was found at 6.30 am on Sunday morning, the 17th instant, wedged in a hole which he had made in his cell wall, and from which he was unable to free himself.
Warder Bartlett was in charge of the landing up to 12.15pm on Saturday 16th instant and states that all was correct when he went off duty.
I
am unable to ascertain when the cap and coat were made, but it is quite
possible that they were completed after Warder Bartlett left at 12.15pm.
The officer's general character is good and I regard him as trustworthy and efficient.
Captain P. Green
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The Western Front, 1916
Sir
Sidney Colvin (1845-1927)'s post bag reads like a veritable Who's Who
of Arts and Letters in late Victorian England. John Ruskin had
been a family friend when Colvin was growing up in Suffolk and London,
and, as an adult, Colvin counted Thomas Hardy, George Eliot, Joseph
Conrad and (most closely) Robert Louis Stevenson among his friends; as
well as the artists Edward Burne-Jones and Dante Gabriel Rossetti. When
Stevenson set off for the South Seas, Colvin accompanied him as far as
Tilbury docks. Stevenson's letters to Colvin, a journal of his time in
the Pacific, were edited by Colvin, and published as Valima Letters:
Being Correspondence Addressed by Robert Louis Stevenson to Sidney
Colvin, 1890-1894.
On 7th September 1916, whilst Harry Goffey
was still frantically trying to piece together news of his son, missing
in action on the Western Front since 3rd September, William Watson, a
"carpenter", from Paddington, London, aged 32, five foot six with
brown hair, was convicted on two counts of housebreaking, and sentenced
to five years penal servitude on each indictment to run concurrently.
Watson was, as the saying goes, a career criminal
and had form dating back nearly two decades. He had a string of
convictions for theft as well as for pimping and assault. His manor
stretched from Paddington out to Kensington with a strong
preference for the icing sugar villas around Kensington Gardens; the
sort of properties now occupied by high commissions, d-list
royals, and Russian entrepreneurs.
When
the September sessions opened at the Old Bailey in 1916, one potential
juror was excused "on the ground that he was busily engaged in a war
office contract for the supply of 64 million cigarettes." I suspect it
didn't have any bearing on the outcome of the trial.
Judge
Atherley-Jones had been Liberal MP for NW Durham and was the son of the
Chartist, Ernest Jones, who had spent time in prison,
sentenced at the very same court in 1848 to two years for
sedition. In fact, Atherley-Jones's earliest memory was visiting
his father in gaol at Tothill Fields. Childhood visitors to his house
included Marx and Engels, Mazzini and Feargus O'Connor. And in another
neat literary twist, Atherley-Jones lends his name, albeit in a
slightly disguised form, to Conan Doyle's bumbling detective - Athelney
Jones of Scotland Yard - in The Sign of Four.
Watson was found guilty of "breaking and entering the dwelling house of Sir Sydney Colvin knight (sic)
and stealing therein a rose bowl and other articles, his property." We
can perhaps infer that Colvin was absent at the time, as Watson's MO
was not incompatible with violent persuasion when interrupted in the
course of his professional engagements.
One of the other victims
was not so lucky. A fact reflected in the harsh sentence handed down by
Judge Atherley-Jones. Watson was led away to begin his sentence at
Wandsworth Prison where he was admitted between a soldier given six
months hard labour for bigamy and a shoemaker given 25 days or £2 for
assaulting a Police Constable. The shoemaker eventually stumped up a
portion of the fine and was released 5 days early.
Watson had no such escape route but he didn't intend it to stop him planning the earliest possible exit at his own pleasure.
In
the event, as the documents show, the only thing Watson succeeded in
doing was putting my great grandfather in a less than charitable mood
at the start of the festive season. Given the unutterable sadness of
Christmas 1916 for many households (including the Goffeys, of
course) such an event is small beer. In any case, William Bartlett was
not found to have neglected his duty. But could Watson really have
manufactured a cap and jacket and made a large (though not large
enough) hole in the wall of his cell from scratch in an afternoon?
There
are many ironies in this story, not least of which is that Watson's
punishment for the escape attempt was a transfer to Dartmoor, the
wild landscape of my great grandfather's childhood, from which
poverty had uprooted him like a storm spout and hurled him in to
twentieth century suburban Wandsworth. Of course I've no idea whether
my great grandfather ever felt sentimental about Dartmoor. But this
much I do know. William Watson most certainly didn't.
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